The C414 XLII multi-pattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live sound applications and permanent installations, all controls can easily be disabled for trouble-free use. The C414 XLII version differs from the C414 XLS version in one major respect – the capsule. The C414 XLII's slight presence boost and impressive spatial reproduction are both similar to the legendary AKG C12 microphone from 1953.
| Audio frequency bandwidth |
20 - 20000 Hz |
| Equivalent noise level |
6 dB-A |
| Sensitivity |
23 mV/Pa |
| Signal to Noise |
88 dB-A |
| Preattenuation Pad |
-6; -12; -18 dB |
| Bass cut filter |
160; 80; 40 Hz |
| Electrical impedance |
200 Ohms |
| Recommended load impedance |
2200 Ohms |
| Polar Patterns |
Omnidirectional, Wide Cardioid, Cardioid, Hypercardioid, and Figure of Eight |
| Voltage |
44 to 52 V |
| Current |
4.5 mA |
| Length |
38 mm |
| Width |
50 mm |
| Height |
160 mm |
| Net Weight |
300 g |
| Type |
Balanced XLR |
| Gender |
Male |
| Contacts |
3-pin |
| Vocals |
Yes |
| Piano / Strings |
Yes |
| Horns / Woodwinds |
Yes |
